Posts Tagged ‘EIOH’

h1

BBC 6 (Music) Of The Best

February 13, 2012

Anyone who actually reads the irrelevant dross published on this website might be aware that a character who only semi-pretentiously named himself as The Main Protagonist – well, aren’t we all the main protagonist in the story of our own lives? – has a chance of being conscious of his, or, er, my love for radio, music and in particular the best radio station on the planet: BBC Radio 6 Music.

And 6 Music is ten years old. I only started listening to 6 in 2003, when my employer (coincidentally the BBC) happened to permit me to listen to it whilst working.

I had neither a DAB radio of my own, nor broadband internet. It was a different era. It was like the 1950s of the Internet compared to now. Social media hadn’t been invented. There was no Facebook or Twitter.

As a recent graduate of an arts-based degree I wasn’t hugely employable, so whilst I was working at the BBC, it was in the highly confidential and sensitive “Scanning Room”, document managing high profile employee paperwork and seeing all sorts of naughtiness.

My favourite memory perhaps being the opportunity to read about a disciplinary for one member of staff who’d been having an affair with another and doing all sorts of sneaky, saucy, kinky devilry whilst in the office/studio. Names are forgotten so the Data Protection Act is null and void in writing this. I think. I hope.

I’d always adored music and had been rather fond of radio for years. I loved John Peel’s shows. I never knew I’d get the chance to hear an entire radio station inspired by his ethos of openness, going mostly against the grain of commerciality.

Vic McGlynn‘s afternoon show was a revelation. Hearing Daft Punk Is Playing In My House for the first time was a glimpse into genius. An indie punk rock band playing dance music about a dance band playing at their house. Which also SOUNDS as if it’s a live band playing Daft Punk.

Unfortunately a lot of our time working in our jobs at the BBC was spent “on standby” as opposed to doing actual “stuff”, so we were told to listen to the radio and watch telly and generally chat to kill time. We weren’t allowed out of the Scanning Room. We were guards of the dark information, in a dark place. No windows. Literally no windows.

As for us BBC scanners – myself, Vanessa and Bonnie (later of Electricity In Our Homes infamy) – we became fast friends before the management realised how much money they could save by selling off the entire HR dept to a third party, albeit a third party which would run it really quite terribly (Capita, aka BBC HR Direct), and thus give the management lovely big bonuses to buy big houses in Holland Park and Notting Hill.

6 Music is very much a part of this writer’s present, and remains one aspect of the BBC he adores. And so he felt compelled to respond to this challenge:

As part of 6 Music’s Birthday celebrations we want to hear 6 Of The Best from you.

Just select six songs that most represent 6 Music to you by filling out the form below.

You’ll be able to hear a different listeners’ selection each week on the Liz Kershaw show on Saturdays, 13:00-16:00. We’ll also be compiling a chart of all the entries that are sent in.

I’ve replied. I bit on the bait. Here’s my first of the 6:

Guillemots – Made Up Love Song #43
The wife and I played this at our wedding for the first dance. Our Auntie Pam in a broad Manchester accent is on video yelling, “WHAT THE BLOOMIN’ HECK IS THIS?” in response to the wonky Hammond intro to which my newlywed wife and I did a close dance. We pulled some delightful dancey twirls out of the bag in the song’s climactic second part, much to the surprised cheers of onlookers who hitherto had only ever seen me raving sketchily in muddy fields.

Can you resist a few dancey twirls, dear reader?

h1

When no-one is in a studio, does the audio equipment still make noises?

January 16, 2011

Abandoned and discarded. Someone once cared a great deal about this equipment.

VOX: “I’m so smug. I’m a VOX.”

Roland: “I’m quite smug too, but I can’t top you, VOX. It seems apt that I lie, thus, perpendicular to the ground, whilst you are appropriately upright. I hate you VOX.”

VOX: “I can see all the grit and muck on your wheels. Have you no shame, Roland?”

Roland: “What does it matter when you’re in the room, VOX? I can never be as good as you. I can never carry the warm glorious tones and even if I could, all the kids love your coolness almost as much as Orange. All I’ve got is this old skool logo.”

Roland crawls off, still side-ended, for a little cry.

Blue Chair: “Oh right. Just ignore me then. I mean, I AM actually the only one in this room that contributes anything properly productive in this messed up society by helping with the parking of bums whilst they contribute actual work and thus partake is true wealth creation in this glorious socio-capitalist economy. Whilst you two – YOU TWO! – just ponce it along with the cooler-than-thou indie kids.”

Piano: “Just calm down. You’re all pathetically short-term. What use is a chair or a valve amp or even YOU, Bicycle, when the transhumans take their rightful place as the simians’ overlords. Really, when you think about it, this really IS a very petty argument. Of course, having said that, Piano shall always prevail, just as it always has. I am CLASSICAL for a reason you losers. Ha!”

Bicycle sulks silently. He’s heard it all before and recognises the futility of partaking in Kilroy politics. “No wonder Kilroy lost his mind“, thinks Bicycle.

h1

Electricity in our Homes: The Sound of Nu-Nu

July 28, 2010

So post-DIY they’re nu – and not even just nu but Nu-Nu, a retro so nostalgic it can only be from the future – Electricity In Our Homes return with an ultra-limited, 300-pressings-only release of their latest hit fandango, You’re Doing So Well, a wicked rambunkous thump with a sinister.

Yes, a sinister.

EIOH: Like Zebras

What great lyrics and mood: it kicks off with “I feel lucky that nothing fell; / roof tiles did not come clattering down.” Talk about damage limitation (I am being lighthearted, but deft, in reference to your lyrics).

What a start.

But, actually, the start of You Are Doing So Well is prefaced with a delightfully cheeky 45 second melodic workout (overdriven, tightly reverbed drums and all, including cheekily delightful guitar twang) before certain chaospheric percusso drums commence their advancement with enough profound menace to be anyone from early Killing Joke all the way to !!! (Chik Chik Chik), leading into guitar like razor wire and vocals reminiscent of early Tripping Daisy, with an eerie backing vocal.

Possibly even the druggiest Lennon springs to mind. Is that bad? He meant well. But that’s no excuse.

Apparently Electricity In Our Homes just want to see people do well (to paraphrase their lyrics). And this appears to moves them to make music like this.

I wonder what happens when THEY want to do well. Perhaps that’s a tale for the future, if they ever choose to tell it…

EIOH have never felt so tight and nor have they sounded so well produced. May their efforts continue to lead into better things.

And this Main Protagonist found his copy arriving all personally-PostItNoted and all. The incredible joy-thrill wow was impeccable: I just had to not only take ye pictures, but in ye a neat context too.

What better place, for instance, to place such a treasured 12″ amidst one’s own guitars?

Where did I put that new EIOH single?

You too can listen to these tracks via your ear receptacles just here: http://www.myspace.com/electricityinourhomes.

BUT: despite all ye listening… see them live, buy their singles, write your own reviews. They are a good and solid articulate madness. And they represent a better way of life. They do.

Follow

Get every new post delivered to your Inbox.

Join 99 other followers

%d bloggers like this: