Archive for the ‘Music’ Category

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BBC 6 (Music) Of The Best

February 13, 2012

Anyone who actually reads the irrelevant dross published on this website might be aware that a character who only semi-pretentiously named himself as The Main Protagonist – well, aren’t we all the main protagonist in the story of our own lives? – has a chance of being conscious of his, or, er, my love for radio, music and in particular the best radio station on the planet: BBC Radio 6 Music.

And 6 Music is ten years old. I only started listening to 6 in 2003, when my employer (coincidentally the BBC) happened to permit me to listen to it whilst working.

I had neither a DAB radio of my own, nor broadband internet. It was a different era. It was like the 1950s of the Internet compared to now. Social media hadn’t been invented. There was no Facebook or Twitter.

As a recent graduate of an arts-based degree I wasn’t hugely employable, so whilst I was working at the BBC, it was in the highly confidential and sensitive “Scanning Room”, document managing high profile employee paperwork and seeing all sorts of naughtiness.

My favourite memory perhaps being the opportunity to read about a disciplinary for one member of staff who’d been having an affair with another and doing all sorts of sneaky, saucy, kinky devilry whilst in the office/studio. Names are forgotten so the Data Protection Act is null and void in writing this. I think. I hope.

I’d always adored music and had been rather fond of radio for years. I loved John Peel’s shows. I never knew I’d get the chance to hear an entire radio station inspired by his ethos of openness, going mostly against the grain of commerciality.

Vic McGlynn‘s afternoon show was a revelation. Hearing Daft Punk Is Playing In My House for the first time was a glimpse into genius. An indie punk rock band playing dance music about a dance band playing at their house. Which also SOUNDS as if it’s a live band playing Daft Punk.

Unfortunately a lot of our time working in our jobs at the BBC was spent “on standby” as opposed to doing actual “stuff”, so we were told to listen to the radio and watch telly and generally chat to kill time. We weren’t allowed out of the Scanning Room. We were guards of the dark information, in a dark place. No windows. Literally no windows.

As for us BBC scanners – myself, Vanessa and Bonnie (later of Electricity In Our Homes infamy) – we became fast friends before the management realised how much money they could save by selling off the entire HR dept to a third party, albeit a third party which would run it really quite terribly (Capita, aka BBC HR Direct), and thus give the management lovely big bonuses to buy big houses in Holland Park and Notting Hill.

6 Music is very much a part of this writer’s present, and remains one aspect of the BBC he adores. And so he felt compelled to respond to this challenge:

As part of 6 Music’s Birthday celebrations we want to hear 6 Of The Best from you.

Just select six songs that most represent 6 Music to you by filling out the form below.

You’ll be able to hear a different listeners’ selection each week on the Liz Kershaw show on Saturdays, 13:00-16:00. We’ll also be compiling a chart of all the entries that are sent in.

I’ve replied. I bit on the bait. Here’s my first of the 6:

Guillemots – Made Up Love Song #43
The wife and I played this at our wedding for the first dance. Our Auntie Pam in a broad Manchester accent is on video yelling, “WHAT THE BLOOMIN’ HECK IS THIS?” in response to the wonky Hammond intro to which my newlywed wife and I did a close dance. We pulled some delightful dancey twirls out of the bag in the song’s climactic second part, much to the surprised cheers of onlookers who hitherto had only ever seen me raving sketchily in muddy fields.

Can you resist a few dancey twirls, dear reader?

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Sonic Astronic

January 25, 2012

If you’re available in London this Saturday, 28th January, 2012, the Main Protagonist has a cheeky little recommendation if you fancy a GIG:

Sonic Astronic meld electronic soundscapes and live humans.

It’s been suggested they sound like Four Tet – albeit with Mick Jagger on vocals, Hooky on bass, and with a world music percussion section.

Sonic Astronic bathe their audience in audio: shimmering guitars; delicate but intense hypnotic rhythms; a fusion of electronica, earthy beats, tremendous crescendos and tender moments.

GET HERE. LISTEN HEAR.

TOWER TAVERN – Saturday 28th January – 8pm

Very near the BT tower.

21 Clipstone Street, W1W 6BA

Warren St / Goodge St tubes

CLICK HERE TO VISIT FACEBOOK EVENT PAGE, HERE. OR HERE. TAKE CARE TO HEAR.

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Sonic Astronic – THAT Smugglers Festival Gig

September 15, 2011

sonic astronic: bathing the audience in the light of a thousand suns

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Sonic Astronic @ Smugglers Festival

September 1, 2011

Our new music project – Sonic Astronic*, whose delicious new musics you can review on Soundcloud – is set to perform on both days Sunday evening (possibly Saturday as well – TBC) at the Smugglers Festival in Deal, Kent.

Sonic Astronic live at Smugglers Festival 2011

The best way to spend the last weekend of the summer!

Meantime, ohcheers.com image geezer beak has taken a day out of his busy regime of “giving up” on all matters pertaining to creativity in order to furnish us with some draft images…

Gritty & Moody

Less traumatic, instead aquatic

*Sonic Astronic was

(or should it be were?)

formerly known as

freaksforever

in a previous incarceration

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An Experimental Exercise in Branding

August 20, 2011

During the preparation of materials for a new music project, image man beak was consulted on a potential rebranding.

What did beak come up with, pray tell?

Qlunge Master Q - Initial Qoncept Art

Whilst not quite what we were looking for this time, perhaps we can use QMQ branding for one of our other Oh Cheers music chdevelopments.

Qlunge Master Q - Alternate Advertorial Proposition

Seems we did settle on a name though, but we’ll reserve the reveal of that particular secret for a future post.

Ciao for now, meat ploughs.

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David Firth: Artistic Polymath

June 27, 2011

Why is it, right, that some people who you already know to be talented in a particular, hm, let’s say ‘business sector’, then go and astound you with something in a somewhat distinct creative realm?

And so it transpires, y’see, that David Firth, the visionary* behind various ominously surreal (and mostly exceptional) cartoon shorts – perhaps most (in-) famous of which is his creation of Salad Fingers, but this author’s current favourite is Jerry Jackson: Life & Death – also produces some quite wonderfully attention-grabbing audio under the guise of Locust Toybox.

Of course, we’ve all known about Firth’s musical ‘dabbles’, but one has to wonder how many people recognise quite how deviously exquisite the sounds of Locust Toybox actually are.

And here we are, sitting at the temporal coordinates after which Locust Toybox alleges to be on its 9th album: Noon. It was released at some point this year (twenty-eleven, common era; dunno exactly what day or time) and it’s hosted for FREE DOWNLOAD from Firth’s site. It even has an album cover:

Locust Toolbox - Noon

Firth’s never been too quiet about his musical interests. In his animated work, strains of Aphex Twin and Boards of Canada have been stitched into the soundscape of his cartoons since Fat Pie’s earliest days.

However, aside from the similarity to the playfulness to those two artists, the sound of Noon recalls a less bleak Autechre; a more propulsive Freescha. Some of the atmospherics even bring to mind touches of Avalanches or even Orbital. Maybe also a hint of, er, Hint.

It’s as if there are all these organic-sounding squirgles, played by humanised machinery with broken-down minds, trying to fix themselves.

This author IS going to stop trying to describe this music now, cuz as the cliché quite accurately states, what is the point of dancing about architecture?

All you need to know is that iTunes states it is Scribblepop, and that’s good enough for this protagonist.

Look, it’s free. Download it. Stick it on yer iDevice and plug in yer ears. If you like it, share it with all yer social notworking fandangles and let’s see if we can get it played on the radio.

If you’re feeling flish – or even flush – donations are accepted over Paypal.

(Oh, and yeah we realise that just because someone can do TWO things rather well, well, that doesn’t exactly make them a polymath. Perhaps a duomath? But it’s art, not math. Perhaps duoart? I’m leaving the title as it is though. Whoever said journalism was a representation of truth?)

*Doesn’t that sound terribly pompous? It’s fun to ascribe questionable attributes sometimes, isn’t it?

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FL Studio for iPhone & iPad

June 21, 2011

The Main Protagonist may be something of a Logic lover these days, but that doesn’t overwhelm a soft spot for FL Studio.

So it’s pretty fascinating to see that it’s now been “reimagined” (no, not a Winport) for the iPhone and iPad.

Will there ever be a native Mac port?

Check it out.

And yeah, the Main Protagonist is shamelessly hoping he might win a free iPad and copy of FL Studio Mobile by blogging this news item.

And why not?

If he does win, he’ll report the news here alongside a special lovingly melodious composition. For the glory of ohcheers.com. For great justice.

beak: You won’t win.

Main Protagonist: You won’t win.

beak: I nearly looked over my desk and said [CENSORED]

Main Protagonist: Have you installed PotatoSlop yet?

beak: …

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When no-one is in a studio, does the audio equipment still make noises?

January 16, 2011

Abandoned and discarded. Someone once cared a great deal about this equipment.

VOX: “I’m so smug. I’m a VOX.”

Roland: “I’m quite smug too, but I can’t top you, VOX. It seems apt that I lie, thus, perpendicular to the ground, whilst you are appropriately upright. I hate you VOX.”

VOX: “I can see all the grit and muck on your wheels. Have you no shame, Roland?”

Roland: “What does it matter when you’re in the room, VOX? I can never be as good as you. I can never carry the warm glorious tones and even if I could, all the kids love your coolness almost as much as Orange. All I’ve got is this old skool logo.”

Roland crawls off, still side-ended, for a little cry.

Blue Chair: “Oh right. Just ignore me then. I mean, I AM actually the only one in this room that contributes anything properly productive in this messed up society by helping with the parking of bums whilst they contribute actual work and thus partake is true wealth creation in this glorious socio-capitalist economy. Whilst you two – YOU TWO! – just ponce it along with the cooler-than-thou indie kids.”

Piano: “Just calm down. You’re all pathetically short-term. What use is a chair or a valve amp or even YOU, Bicycle, when the transhumans take their rightful place as the simians’ overlords. Really, when you think about it, this really IS a very petty argument. Of course, having said that, Piano shall always prevail, just as it always has. I am CLASSICAL for a reason you losers. Ha!”

Bicycle sulks silently. He’s heard it all before and recognises the futility of partaking in Kilroy politics. “No wonder Kilroy lost his mind“, thinks Bicycle.

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Electricity in our Homes: The Sound of Nu-Nu

July 28, 2010

So post-DIY they’re nu – and not even just nu but Nu-Nu, a retro so nostalgic it can only be from the future – Electricity In Our Homes return with an ultra-limited, 300-pressings-only release of their latest hit fandango, You’re Doing So Well, a wicked rambunkous thump with a sinister.

Yes, a sinister.

EIOH: Like Zebras

What great lyrics and mood: it kicks off with “I feel lucky that nothing fell; / roof tiles did not come clattering down.” Talk about damage limitation (I am being lighthearted, but deft, in reference to your lyrics).

What a start.

But, actually, the start of You Are Doing So Well is prefaced with a delightfully cheeky 45 second melodic workout (overdriven, tightly reverbed drums and all, including cheekily delightful guitar twang) before certain chaospheric percusso drums commence their advancement with enough profound menace to be anyone from early Killing Joke all the way to !!! (Chik Chik Chik), leading into guitar like razor wire and vocals reminiscent of early Tripping Daisy, with an eerie backing vocal.

Possibly even the druggiest Lennon springs to mind. Is that bad? He meant well. But that’s no excuse.

Apparently Electricity In Our Homes just want to see people do well (to paraphrase their lyrics). And this appears to moves them to make music like this.

I wonder what happens when THEY want to do well. Perhaps that’s a tale for the future, if they ever choose to tell it…

EIOH have never felt so tight and nor have they sounded so well produced. May their efforts continue to lead into better things.

And this Main Protagonist found his copy arriving all personally-PostItNoted and all. The incredible joy-thrill wow was impeccable: I just had to not only take ye pictures, but in ye a neat context too.

What better place, for instance, to place such a treasured 12″ amidst one’s own guitars?

Where did I put that new EIOH single?

You too can listen to these tracks via your ear receptacles just here: http://www.myspace.com/electricityinourhomes.

BUT: despite all ye listening… see them live, buy their singles, write your own reviews. They are a good and solid articulate madness. And they represent a better way of life. They do.

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6Music: SAVED! For now, at least…

July 5, 2010

The Main Protagonist of this site has been harping on for some while about the proposed closure of the favourite radio station of the Oh Cheers crew, BBC 6Music.

Guess what? We’ve only gone and bloody saved 6Music, Rodders!

Wonder if the mighty Viz will again come up with another suitably worthy strip to honour this triumph of sanity over, er, insanity?

But, oh my dear 6Music fans, please do remain vigilant, however, as it is not yet exactly correct to say the station has been saved with a long term permanence:

The Trust concludes that, as things stand, the case has not been made for the closure of 6 Music. The Executive should draw up an overarching strategy for digital radio. If the Director General wanted to propose a different shape for the BBC’s music radio stations as part of a new strategy, the Trust would consider it.

Vigilance!

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