Author Archive

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gUiLLeMoTs – Hello Land!

May 10, 2012

Where have the Guillemots been recently? The British avant-garde beat combo absconded from the UK scene to write and record a new album in a mere fortnight. In Norway.

Completely unannounced till just a couple of days ago, Hello Land! has been made available for instantaneous free streaming via the marvel that is Soundcloud. And here it is…

Oh, and did you know that this is planned to be the first of four LPs in 2012? They’re going to be loosely based around the seasons.

No pressure then. I mean, hey, the Beatles chucked out 2 albums a year at peak.

Away from the limiting and highly-structured commercial music industry of the big labels, it seems to me they’ve rediscovered their experimental roots. Initial impressions of Hello Land! are of a luscious but not unsophisticated lightness.

It is a departure from the hit-single focused efforts that has perhaps held Guillemots back in recent years (in this writer’s humble opinion). They’re not trying too hard to be something they’re plainly not. Not until they’re ready to take over the world.

(What a horribly cynical reason to make music. But baby needs shoes, right?)

Looking back on Guillemots’ output, following an erupting romantic rush of excitement felt within debut Through The Windowpane, its successors Red and Walk The River were somewhat staid affairs overall and never quite met up to the delirious bombast of their first release.

Fyfe Dangerfield has explained the rationale behind the departure from the traditional music biz mould as follows:

I was just a bit lost in the music industry, you can get very lost in the music business. It’s not like I hate the music industry. I think it’s just you can get very immersed in it without even realising and there are so many patterns and waves that you expect to do things. I think we were just used to playing the line without realising. The one thing we were really getting frustrated by was this album cycle.

You generally spend a few months at a time making a record and then you kind of sit on them for a time. It’s very hard to be creative, I think we started realising we don’t need to do this. We thought why not put out loads of music and do it ourselves!

You can support the band by giving them your money and buying their CD or MP3/WAV downloads by clicking this link:

http://guillemots.greedbag.com/buy/hello-land-0/

What’s that you say? A fiver for a whole album? I remember when non-chart CDs were £16.99 in the Rock ‘n’ Pop section of HMV back in the mid 1990s, when I were a teenager.

Oh, just whilst I remember, Guillemots are also headlining our pals’ festival 2000 Trees this year.

http://www.efestivals.co.uk/news/12/120413c.shtml

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WHO ARE THE 50%?

April 23, 2012

We know who the 99% are. We figure who the 1% are by elimination.

Beak tells us he’s in the 50%, in his own wiry words:

I am the 50%

TRANSCRIPT

I’m the kind of moaning little cunt who despises other people’s happiness. When I’m not trying to earn more money than my friends I take the high ground at every opportunity.

I consider myself and my values better than those around me. I feel guilty about the ice caps and the rainforests and the ozone.

You’ll hear me say: “I’m the way I am because I’ve never had to go to war.”

When the war that is going to end this financial mess kicks off, you’ll find me under my bed. Drunk. Shitting it.

I am the 50%.

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Sonic Astronic

April 10, 2012

facebook.com/SonicAstronic
soundcloud.com/SonicAstronic
sonicastronic.com

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The Other 5… Of 6… Of The Best… Of 6…

February 27, 2012

Following on from the previous post, here are the other 5 I submitted to BBC Radio 6 Music as part of my “6 of the best” in honour of 6 Music’s tenth birthday:

Mystery Jets / Count & Sinden – After Dark
The reliably hyper-melodic Mystery Jets play through a set of perversely powerful euphoric hooks, whilst filtered through Count & Sinden‘s production, beats and mixing, defines the potential for what a new era of true indie disco could sound like. Utterly unparalleled right now, I want more of this material and if I don’t get it, I’ll have to make it myself. Wonderful Strictly Come Prancing dance competition video. A lot of fun.

Young Knives – The Decision
Taking matters into your own hands takes an absurd and intense turn in this track. Daft but at the same time intensely serious:

“I’m the Prince of Wales / And if all else fails / I am the Prince of Wales / That decision was mine”

…is still perhaps the best vocal hook I’ve ever heard as we hear the views of someone descending steadily into psychosis, perhaps as a result of a nervous breakdown induced by middle management in an office environment. And how on Earth would I know anything about that? Such power in the face of powerlessness. Talk about defining your own reality.

LCD Soundsystem – Daft Punk Is Playing My House
An indie punk rock band playing dance music about a dance band playing at their house. Which also SOUNDS as if it’s a live band playing Daft Punk. It’s a brilliantly self-aware crossover of genres. It’s postmodern and ironic but it’s still a cracking tune irrespective of ignorant critical slurs like those. Like me. Like those. Like me. Like those.

Bombay Bicycle Club – Shuffle
As a bassist I love the understated but precise lock of the groove. It’s a demonstration of rather mature songwriting with all manner of subtleties throughout the track. And lyrically it’s a celebration of loving music. Not just listening to music passively but actively engaging within it, acknowledging the temporal limitation of a song (i.e. music captures and replicates a mood but for only as long as it plays) coupled with the very human reality of any artist’s self-doubt in the face of the drive to create and engage.

Justice Vs Simian – We Are Your Friends
This cross-pollination of Simian and Justice – respectively an established indie band and a relatively-new French dance act – propelled not only these two artists to a whole new paradigm of success, but also culminated in the evolution of Simian into Simian Mobile Disco. Everyone’s a winner, especially the listener.

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David Cronenberg Retrospective: Scanners

February 25, 2012

Reblogged from Danny Isn't Here, Mrs. Torrance:

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Scanners! You were far sillier than I remembered!

20 SECONDS...YOU EXPLODE! Awesome.

Cronenberg’s next film after The Brood lacks its gravitas. Scanners actually differs from almost all Cronenberg films in that there is far less emphasis on psychological and physiological irregularity, and almost none of the skewed sexuality that permeates his other films. Scanners is, dare I say it, a pretty straight horror/sci-fi flick.

Read more… 645 more words

Following on from reflective ruminations of our time in the BBC Scanning Room (see previous post)... “We’re gonna do it the Scanner way. I’m gonna suck your brain dry!”
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BBC 6 (Music) Of The Best

February 13, 2012

Anyone who actually reads the irrelevant dross published on this website might be aware that a character who only semi-pretentiously named himself as The Main Protagonist – well, aren’t we all the main protagonist in the story of our own lives? – has a chance of being conscious of his, or, er, my love for radio, music and in particular the best radio station on the planet: BBC Radio 6 Music.

And 6 Music is ten years old. I only started listening to 6 in 2003, when my employer (coincidentally the BBC) happened to permit me to listen to it whilst working.

I had neither a DAB radio of my own, nor broadband internet. It was a different era. It was like the 1950s of the Internet compared to now. Social media hadn’t been invented. There was no Facebook or Twitter.

As a recent graduate of an arts-based degree I wasn’t hugely employable, so whilst I was working at the BBC, it was in the highly confidential and sensitive “Scanning Room”, document managing high profile employee paperwork and seeing all sorts of naughtiness.

My favourite memory perhaps being the opportunity to read about a disciplinary for one member of staff who’d been having an affair with another and doing all sorts of sneaky, saucy, kinky devilry whilst in the office/studio. Names are forgotten so the Data Protection Act is null and void in writing this. I think. I hope.

I’d always adored music and had been rather fond of radio for years. I loved John Peel’s shows. I never knew I’d get the chance to hear an entire radio station inspired by his ethos of openness, going mostly against the grain of commerciality.

Vic McGlynn‘s afternoon show was a revelation. Hearing Daft Punk Is Playing In My House for the first time was a glimpse into genius. An indie punk rock band playing dance music about a dance band playing at their house. Which also SOUNDS as if it’s a live band playing Daft Punk.

Unfortunately a lot of our time working in our jobs at the BBC was spent “on standby” as opposed to doing actual “stuff”, so we were told to listen to the radio and watch telly and generally chat to kill time. We weren’t allowed out of the Scanning Room. We were guards of the dark information, in a dark place. No windows. Literally no windows.

As for us BBC scanners – myself, Vanessa and Bonnie (later of Electricity In Our Homes infamy) – we became fast friends before the management realised how much money they could save by selling off the entire HR dept to a third party, albeit a third party which would run it really quite terribly (Capita, aka BBC HR Direct), and thus give the management lovely big bonuses to buy big houses in Holland Park and Notting Hill.

6 Music is very much a part of this writer’s present, and remains one aspect of the BBC he adores. And so he felt compelled to respond to this challenge:

As part of 6 Music’s Birthday celebrations we want to hear 6 Of The Best from you.

Just select six songs that most represent 6 Music to you by filling out the form below.

You’ll be able to hear a different listeners’ selection each week on the Liz Kershaw show on Saturdays, 13:00-16:00. We’ll also be compiling a chart of all the entries that are sent in.

I’ve replied. I bit on the bait. Here’s my first of the 6:

Guillemots – Made Up Love Song #43
The wife and I played this at our wedding for the first dance. Our Auntie Pam in a broad Manchester accent is on video yelling, “WHAT THE BLOOMIN’ HECK IS THIS?” in response to the wonky Hammond intro to which my newlywed wife and I did a close dance. We pulled some delightful dancey twirls out of the bag in the song’s climactic second part, much to the surprised cheers of onlookers who hitherto had only ever seen me raving sketchily in muddy fields.

Can you resist a few dancey twirls, dear reader?

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Sonic Astronic

January 25, 2012

If you’re available in London this Saturday, 28th January, 2012, the Main Protagonist has a cheeky little recommendation if you fancy a GIG:

Sonic Astronic meld electronic soundscapes and live humans.

It’s been suggested they sound like Four Tet – albeit with Mick Jagger on vocals, Hooky on bass, and with a world music percussion section.

Sonic Astronic bathe their audience in audio: shimmering guitars; delicate but intense hypnotic rhythms; a fusion of electronica, earthy beats, tremendous crescendos and tender moments.

GET HERE. LISTEN HEAR.

TOWER TAVERN – Saturday 28th January – 8pm

Very near the BT tower.

21 Clipstone Street, W1W 6BA

Warren St / Goodge St tubes

CLICK HERE TO VISIT FACEBOOK EVENT PAGE, HERE. OR HERE. TAKE CARE TO HEAR.

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Lizzie Roper Interview: Part 2

December 18, 2011
Lizzie Roper feeling the love for ohcheers.com - Oh Cheers Productions

Lizzie Roper sees Twitter as the dwarf in her cupboard

SUNDAY ROAST. Isn’t it delicious? We were midway through our roast dinner and it was made all the more scrumptious by the company of the highly entertaining naughty schoolgirl of Yorkshire puddings, Lizzie Roper, as we continue to discuss Sarah Beeny’s salmon mousse, fingerbanging and Twitter.

Oh Cheers: I can’t believe you put your bottom in Sarah Beeny’s flan.

Lizzie Roper: FISH MOUSSE! Get it right.

OC: I did read you once tried to encourage someone to put their arse in their birthday cake.

LR: Exactly! I’m always trying to encourage people to put their arse in their birthday cake.

OC: If only I’d’ve done that last night, with my friend’s thirtieth. But… she’s not exactly flamboyant. Bit normal and nice.

LR: It would’ve made a woman of her. It would have made her thirties.

OC: It would have made the cake special. Going back to the inspiration for the interview – your tweet that used the word “fingerbang” – can you tell us what fingerbanging is, exactly?

LR: You know what fingerbanging is!

OC: I wanna know what YOU think fingerbanging is.

LR: It’s when a gentleman gently – or viciously – inserts a finger up a lady’s loo-la.

OC: Loo-la?

LR: Yeah. Making sweet, sweet love, around about the ages of sixteen, mainly. Fingerbanging is very important when you’re a teenager.

OC: So does it stop at a certain age?

LR: No! No. No, it shouldn’t. But it moves from the main menu to the hors d’oeuvres by the time you’re thirty, doesn’t it? Whereas when you’re young that’s like WA-HEY! “Did he finger you? Did finger you? Did you get fingered?” You know it’s very important; it’s a rite of passage. I went to a private girls school, so we would have discos with private boys schools.

We’re interrupted as the pub owner comes to take plates; offer us apple crumble; take feedback on the roast dinner component of roast beetroot.

Lizzie: “The beetroot was delicious and there were heaves. Full of antioxidants.”
Pub owner: “It’s an acquired taste.“
Oh Cheers: “Didn’t like the beetroot. Another Yorkshire pudding next time, pal.”
Pub owner: “If you mention that next time then I’ll do it for you.”

LR: They’re the new owners. They’re all excited. It’s a new thing. Been open 2 weeks. Minor refurb. No dartboards. No TV sets. I like it. I like my places empty! You give me an empty dancefloor I’m a very happy girl. I don’t like crowds. I don’t like PEOPLE. F*ck people. F*ck right off.

OC: Well, don’t live in London!

LR: I AM a Londoner. I was here first. YOU piss off.

OC: Oh I see, it’s people like ME, ruining it for the rest of you. So, one of my questions was: “is this a persona?”

LR: Um…

OC: How much of this is an act?

LR: As I say, when I’m defending Twitter, I say, “Twitter is my toilet. Twitter is where the bad stuff goes.” I don’t have a partner to whom I can say, “oh for f*ck’s sake, meh meh meh meh.” I DO have this little thing in my pocket where I can go <makes gremlin noises>.

OC: How do I spell that?

LR: It’s up to you. I really like the brevity of Twitter. I like that there’s only 140 characters. What can you express in 140 characters? Can you be funny in 140 characters?

OC: The strictness, yeah, it focuses the mind. Structure and order. We need more structure and order in this country. Or do we? No we don’t.

LR: I didn’t realise how f*cking vile I am on Twitter, until –

OC: Until?

LR: Well… Twitter is the dwarf that lives in the cupboard, and I can go <makes gremlin noises>. I’m there everyday. I re-read my tweets and I see how vile I am. I’m appalled by myself. I’m not impressed. I would take myself outside and smack me. But people keep coming back. They keep wanting more. Maybe I’m Nick O’ Teen, giving the people what they don’t NEED, but what they want. I’m disgusting. I’m a very nice person, but there’s a dark side of me and that goes in there. So, is it a persona? It’s a tangent for me, I suppose.

OC: So it’s sort of just you, isn’t it?

LR: It is me.

OC: Just all the different sides.

LR: And I’m very lucky. I don’t work in a corporate world. My world is acting and voiceovers. I don’t have to be normal and good.

OC: That’s the point isn’t it? You’re not conforming.

LR: That’s my USP: I’m a bit wild and loud-mouthed and rude. And then it gets me in trouble when I go too far. Because I did think Twitter was a dwarf in the cupboard. It turned out it’s a dwarf with a megaphone, that is screaming to the whole world.

OC: And the people who follow you tend to go, “look at this everybody, isn’t it brilliant?” They retweet you, and you’re f*cked.

LR: But I love it.

OC: Good. So what did you do BEFORE Twitter?

LR: I used to have sex with men. I had boyfriends. It was brilliant.

OC: Real stuff. Who needs real stuff anymore?

LR: Real stuff. No, before Twitter… was there life before Twitter? Yeah. No. You know, we’ve gone from living in a family with one phone in the hallway, and your dad’s screaming at you – “IT’S BEFORE 6 O’ CLOCK” – to this ridiculous, over-indulged state of communication.

OC: I liked that on your email signature, it says:

Sent from my iPhone. Just like every other fanny on this bus.

OC: So on every email, it has that on the end?

LR: Yes.

OC: That’s what I notice on the train. You see so many people using phones. Tweeting. Twittering. Texting. Facebooking. Facehugging. There are idiots though who just use social networking for slanging matches. No need for that.

LR: I was told that blocking someone on Twitter is like walking away from a drunk at a party. And as soon as someone steps out of line, or is a bit weird, or is a bit boring: block, block, block, block, block. Twitter brings me so much joy, so why would I get involved in the shit side?

OC: And does it feed into your constructive creativity?

LR: I think it really does. Because I don’t do standup anymore, Twitter is a place where I can put out something that’s funny or quirky and I can see, “tee-hee-hee I’ve been retweeted!”

OC: So as a follow-up, what do you think of TWIDIOTS like us, who contact you out of the blue and say, “hey, you know what, let’s have an interview?”

LR: I love it. I’ve met other people on Twitter. There’s a brilliant guy called Newsagent Provocateur. Look up his videos. What I do find quite freaky – well, I love being flirty on the Twitter, and I am single – is that on two separate occasions I’ve been asked out by chaps for a drink. I love that they know what they’re gonna get: I don’t have to pretend I don’t know what a swearword is. But I’ve met up with these guys and I’ve discovered that they have girlfriends. So I’m like:

What did you think I was looking for? I have friends. I don’t need friends. What I need is some OTHER SORT of liaison, and I don’t think your girlfriend would appreciate you meeting up with a random girl from Twitter.

LR: My greatest Twitter conquest, when I was doing Betwixt (the musical), which I loved, but I did write a random tweet one day saying:

F*cking hell. I’m so busy I haven’t had a wank in a week.

LR: This guy replied saying, “it sounds like you need one of these.” And it was a link to a £110 vibrator on an adult sex toy site. He was the marketing director and he sent me one. 3 days later, I had a £110 vibrator in my hand. Turns out he’s the most adorable man. He’s a homosexual. There’s nothing threatening. Nothing kinky. Nothing weird. And I… got a £110 vibrator.

OC: Are you disappointed he was gay? He sounds like a nice guy.

LR: Well. I’m awful. I love the gays. I have a huge collection of gays. But we’re back to fingerbanging again.

OC: All roads lead back to fingerbanging. The most primal urge.

STAY TUNED FOR FURTHER LIZZIE ROPER HIGHLIGHTS.

WE JUST DON’T KNOW WHEN THIS IS GOING TO END.

AND NOR DO YOU.

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Can you help Beak’s colleague?

December 14, 2011
Has anyone seen my anal beads? Thanks, Sarah.

Lost Property

Beak spotted the above post-it note in his office kitchen.

He wants to tell Sarah he’s having a good look. A very good look.

And a sniff.

Why the sniff?

Why d’ya think he’s called Beak?

beak's nose is ripe for a SNIFF

Sniffy Sniff Sniff

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David Attenborough has something to say…

December 7, 2011

“And here we see the uncommon granglehuff, its biological genus Psycho ignoramus, shuffle around in its imitably miserable manner. See how it bemoans its lot in life whilst snidily attempting to make others feel bad about themselves just to make itself feel better. The granglehuff is well-known for always being correct in its views, even when it contradicts itself, an astounding feat it achieves in even the shortest of conversations, to the bemused confusion of those unfortunate enough to converse with it. As such, the granglehuff is an isolating and isolatory creature, perhaps confounding to some in its purpose of existence, yet it enjoys a symbiotic economic relationship with fringe entertainment providers and body-vandalists.”

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